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Harry Potter and the Prisoner of Azkaban In Concert

Review by Katie Tarrant

Last week, I had the pleasure of being back in the Royal Albert Hall to see a recent instalment of their highly successful ‘Films In Concert’ series. The series is designed to allow viewers to revisit some of their all time favourite classics, with the added awe of hearing the soundtrack played by a live orchestra.

It has previously featured the likes of JawsJurassic ParkStar TrekIndependence DayTitanic, and many more, as well as a number of evenings dedicated to the works of composers such as James Newton Howard, the late James Horner, Michael Giacchino, and more. It has also played host to the world-renowned Harry Potter movies. Having already shown the first two Harry Potter movies, next up was Harry Potter and the Prisoner of Azkaban, and that is what I was there to see.

Harry Potter 3 has a phenomenal score; one that composer John Williams received an Oscar nomination for ‘Best Original Music’. I was brimming with excitement to hear it live, in my all-time-favourite venue. I got that familiar wave of goosebumps as I stepped inside and saw the room filled with people. The grandiose stage and projector were prepared at the front, lined with seats for the Royal Philharmonic Concert Orchestra and English Chamber Choir, beautifully conducted by Justin Freer. He opened the evening with a jovial introduction, introducing the musicians and getting everyone to cheer for their favourite Hogwarts houses, before he summoned a captivating silence as the opening to the film began.

Seeing a movie alongside so many other people is always a beautifully unifying experience, and the Harry Potter franchise comes in to a league of its own, thanks to the emotional attachment and nostalgia that so many people have for it. It was such a heart-warming feeling experiencing all of the film’s highs and lows with so many other fans. Hearing people cheer, whoop, and clap for their favourite characters or their favourite moments, such as when Hermione punches Malfoy, or Buckbeak and Sirius escape. You will never be able to see and hear a movie quite like you do at one of these concerts.

As always, the quality of the performance was out of this world. These concerts do a wonderful job at highlighting and supporting the importance of music in film. Every film I have seen in this series has always drawn the score in to an entirely new light for me, and Harry Potter 3 was certainly one of them.

There are so many nuances in John Williams’ score that I had never truly appreciated, having not been able to hear it in such detail until now. It thrives on such a wonderful complexity and emotional dynamic. Whilst Harry has faced challenges in previous films, the third film for me is where his life starts to reach a vital point of maturity. John Williams scores that emotional development effortlessly, teetering between bold, thematic bursts and a tender but dramatic underscore.

Some of my favourites scenes had to be when Harry blows up Aunt Marge, his journey on the Knight Bus, and his poignant talk with Professor Lupin about the dementors, and his parents. John Williams truly brings the magic in these movies to life, even in the darkest points of the story. The RPCO and ECC did this score every justice, giving passion and grace to every single note, and leaving no stone (or page) unturned in the energy and precision of their performance.

The mix for the evening was also superb, with only a couple of very brief moments in which the music stepped over the film’s audio. But the film is subtitled so no dialogue is ever lost, and those moments are exactly what you’re there for. To be immersed by the performance and phenomenal music, and to revel in the thrill of being lost in such a visual and aural spectacular.

Overall, seeing Harry Potter 3 in concert was an absolute privilege and something I cannot recommend enough, be you a Potterhead or otherwise. Every film in this series is as memorable as the last and are well worth attending. Even if it’s a movie you have seen a thousand times, I can promise you that the Royal Albert Hall will bring it to you in a way you’ve never witnessed before. The next in the ‘Films In Concert’ series will be Milos Forman‘s Amadeus on Friday 2nd November, performed by the Academy of St Martin in the Fields and Philharmonic Chorus, conducted by Ludwig Wicki.

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Katie Tarrant
Katie is a sound designer and composer currently working for Rare on Sea of Thieves. She graduated with a First Class Honours in music from Sir Paul McCartney's Liverpool Institute of Performing Arts in 2016. A lover of music from a young age, she is also a guitarist, bassist, and drummer. In 2016, she was the first ever recipient of UK Music's 'Outstanding Contribution to Music' graduate award, and honoured the following year to receive King and Diversi's scholarship to attend the Game Developer's Conference 2017. Most recently, she was nominated at one of Games Industry Biz's Top 100 Future Talent. Some of her favourite games include Bioshock, Overwatch, Life Is Strange, Uncharted, Fallout, and many more.

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