Review by Andrew Overfield Edited by Sam Hughes Artistic Director: Charles Hazlewood Composer(s): Various Venue: Leeds Town Hall On the 20th March, Andrew Overfield and Sam Hughes checked out the PLAY! concert; a series of classical pieces performed alongside classic and modern video game music, by the British Paraorchestra & Friends, conducted by Charles Hazlewood.
Review by Andrew Overfield Edited by Jake Basten Director: Tim Burton Composer: Danny Elfman Supervising Sound Editor: Richard L. Anderson I start to feel really old when I look across social media posts entitled "<insert favourite game/film> was released 20 years ago today" and think, "damn, I actually remember buying that!" With that said, apologies
Review by Andrew Overfield Edited by Jake Basten Developer: Team Ninja Publisher: Square Enix / Koei Temco Composer(s): Takeharu Ishimoto / Keiji Kawamori / Tsuyoshi Sekito Audio Lead & Design: Takashi Yoshida Reviewed on: PS4 (Beta & Release) For the best part of 20 years I've been a fan of the Final Fantasy franchise, and I mean
Review by Andrew Overfield Edited by Katie Tarrant Publisher: Intrepid Pictures Composer(s): The Newton Brothers Sound Designer/Supervising Sound Editor: Trevor Gates Distributed by & Reviewed on: Netflix This year has had quite the ups and downs for writer, Stephen King. The Dark Tower and the re-imagining of The Mist both met pretty low review scores as
Review by Andrew Overfield Edited by Sam Hughes Distributor: Warner Bros. Pictures Composer: Danny Elfman Supervising Sound Editor(s): Scott Hecker / Chuck Michael Reviewed on: Cinema I’ve been really hoping that DC pull it out the hat when it comes to their cinematic universe. I genuinely loved Man of Steel, wasn’t the most impressed with Batman
Review by Andrew Overfield Edited by Katie Tarrant Publisher: Materia Collective Arranger(s): Wayne Strange, Tim Stoney Artwork: Walid Feghali Executive Producer: Sebastian Wolff Introduction I’m going to start by making it known I have never played a Castlevania game. There, I admitted it. I have, however been a huge fan of the music for some time now.
Review by Andrew Overfield Edited by Sam Hughes Distributor: Netflix Studio: Marvel Television Composer: John Paesano Sound Designer: Jordan Wilby Supervising Sound Editor: Lauren Stephens Reviewed on: Netflix Once again your resident unofficial superhero content reviewer is back after a brief hiatus. I’m coming back to you with a review of Marvel’s The Defenders. A Netflix exclusive series
.Review by Andrew Overfield Edited by Sam Hughes Studio: Marvel Studios / Columbia Pictures Composer: Michael Giacchino Supervising Sound Editor: Eric Norris Oh no not another Spider-Man reboot? Probably the same opinion emulated by most people interested in the Marvel Cinematic Universe, emitted since hearing that Spider-Man: Homecoming was going to be hitting our screens this Summer. It was obvious we would start to
Review by Andrew Overfield Edited by Katie Tarrant Studio: DC Films / Atlas Entertainment Composer: Rupert Gregson-Williams Supervising Sound Editor: James Mather Reviewed on: Everyman 2D I think I'm in love... And no, not with Gal Gadot, as much of a strong and fierce presence she has in this film, but with the wonders of Rupert
Review by Andrew Overfield Edited by Alyx Jones Director: Bill Condon Composer: Alan Menken Sound Designer(s): Sean Garnhart, Stephen P. Robinson, Warren Shaw Reviewed at: VUE Cinema, The Light It goes without saying that Disney have given us some powerful and emotional masterpieces with their animated classics. Journeys beyond the imagination and into the fantasy, are what have collected